








Mark Bradford: Pickett's Charge
Mark Bradford: Pickett’s Charge
Evelyn C. Hankins and Stephane Aquin
Documenting site-specific work at the Hirshhorn Museum, a cyclorama comprised of eight works based on the final charge of the Battle of Gettysburg, considered through the cotemporaneous views of the year 2017. Bradford’s work, a series of eight monumental canvases built up with collaged and then shredded layers resulting in richly colored, abstract and representational interplay between the ideological views of 19th century America and current times. The book is filled with color images of Pickett’s Charge, including gatefold pages, an essay about and interview with Bradford.
2018 by Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
in Association with Yale University Press
Hardbound, 11 ¼ x 7 ¼ inches, 82 pages
Mark Bradford: Pickett’s Charge
Evelyn C. Hankins and Stephane Aquin
Documenting site-specific work at the Hirshhorn Museum, a cyclorama comprised of eight works based on the final charge of the Battle of Gettysburg, considered through the cotemporaneous views of the year 2017. Bradford’s work, a series of eight monumental canvases built up with collaged and then shredded layers resulting in richly colored, abstract and representational interplay between the ideological views of 19th century America and current times. The book is filled with color images of Pickett’s Charge, including gatefold pages, an essay about and interview with Bradford.
2018 by Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
in Association with Yale University Press
Hardbound, 11 ¼ x 7 ¼ inches, 82 pages
Mark Bradford: Pickett’s Charge
Evelyn C. Hankins and Stephane Aquin
Documenting site-specific work at the Hirshhorn Museum, a cyclorama comprised of eight works based on the final charge of the Battle of Gettysburg, considered through the cotemporaneous views of the year 2017. Bradford’s work, a series of eight monumental canvases built up with collaged and then shredded layers resulting in richly colored, abstract and representational interplay between the ideological views of 19th century America and current times. The book is filled with color images of Pickett’s Charge, including gatefold pages, an essay about and interview with Bradford.
2018 by Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
in Association with Yale University Press
Hardbound, 11 ¼ x 7 ¼ inches, 82 pages